Carol was recently interviewed by the Atlanta Music Grapevine (Melanie Siewert). You can read the article directly on their website. Be sure to subscribe to the Atlanta Music Grapevine.
We are reposting the interview below.
Everyone loves a comeback story and Carol Albert is just that. She has been a part of the Atlanta jazz music scene on and off for the past 25 years, but with her new album she is seeing renewed success.
Music has always been an important part of Carol Albert’s life. A native of Hiram, GA, she grew up in a musical family. They would gather around the piano and play and sing together. Her father played the fiddle and her grandmother the piano. Carol started playing the piano around the age of 5 alongside her grandmother. “I initially began playing with my grandmother who had had her right arm amputated due to cancer. She would show me the right-hand parts, and I would play while she played the left-hand parts.” Carol was active in music from playing piano and singing with the church choir and in the chorus at school. As a child, Carol says “my fantasy was to play on the concert stage.” Carol studied classical music in college and has been in the music industry on and off for the past 25 years with significant success. Carol’s influences range from Bach to Stevie Wonder, Al Jareau, Billy Joel, and Elton John.
"I am very proud of getting my album finished...to have it finished and so well received has been great!"
After graduating from college, she began playing a wide variety of music in bars, clubs and hotels. Baldwin Piano added her to their Artist Roster list alongside Billy Joel, Bruce Hornsby as well as many other distinguished artists. She also played with a number of bands around Atlanta – including playing multiple events during the Atlanta Olympics. She landed a record deal with a German company and recorded two albums. She toured Europe on solo tours on four occasions and also played on a cruise ship around Europe.
While Carol has a beautiful voice, it is her piano and composition that distinguishes her from others in the space. She has written and played across multiple genres. Carol states “I write a lot of different kinds of music. My current album best suits the Smooth Jazz genre format, but some of the pieces from the album also fall into instrumental music categories such as Ambient Chill, New Age Instrumental or Easy Listening. Some of my older works were marketed as New Age, Adult Contemporary, as well as Jazz.”
When Carol sits down to write something new, she starts at her acoustic piano and begins developing a melody, often recording it on her iPhone. “Most of the time, I get ideas and capture them, and then I take the pieces and put them together. Or sometimes, it just flows. It’s seamless from beginning to end and I write the whole thing.” Once she has a basic melody, she moves on to embellish the melody with other instruments and synthesizer effects.
For several years, Carol took a sabbatical from writing to focus on other parts of her life. After a few years away, she was invited to a Grammy® event where she connected with an old friend, Trammell Starks, and they began discussing putting out a Christmas album. They had begun selecting music and were planning to begin recording when Carol’s husband passed away. Carol had to step away for a time to deal with his passing, but she began writing again. “I wanted to use my music for healing and as a way to re-kindle my love of writing and producing.”
In late 2017, Carol released a new album, Fly Away Butterfly. The first single, “Fly Away Butterfly”, charted at #5 on the Billboard Smooth Jazz chart in early 2018, and her second single “Chasing Waterfalls” is currently climbing its way up the chart at #15. The album seems to reflect Carol’s transition into a new part of her life and the songs have deep emotions of both sorrow and joyfulness in the music and lyrics making the listener feel that the journey is just beginning. The combination of Carol’s voice, the arrangements and instrumentation of the music feels like climbing to the top of a mountain and seeing the other side. Carol was joined on this album by another leading Atlanta jazz musician, Sam Skelton. “Sam played every wind instrument on this album. He played the flute, all the saxophones soprano, alto, tenor, baritone – he plays it all. I am really fortunate to be surrounded by a very talented group of musicians and they have been very important to my success. I worked with Trammell Starks for production in his studio. He was very instrumental to my getting back into music after my break. He co-produced my last two albums; his talent and skills were critical to this project. I am very proud of getting my album finished. It was something that I had given up on, so to have it finished and so well received has been great!”
"I write a lot of different kinds of music. My current album best suits the Smooth Jazz genre format, but some of the pieces fall into categories such as Ambient Chill, New Age Instrumental or Easy Listening. Some older works were marketed as New Age, Adult Contemporary, as well as Jazz."
In the world of smooth jazz, Carol is a bit of a ground breaker. She recalls a time when she would attend conferences and be one of the only women in the room. “There is also an assumption in this space that if you are a female, you are a singer.” She says that “in some ways we have come a long way since then, but there are still few women in this space that are not purely singers. From that perspective, there is still a lot of opportunity for women beyond singing.”
Carol has many project and plans in her pipeline. She will be performing in Las Vegas in April 2019 at the Smith Center at Myron’s Cabaret Jazz as well as shows in other cities being planned. She has a new album in development for release in 2019. She is also working on some collaborations with other artists. Today, you can find Carol writing songs, teaching music and playing a solo residence at Chateau Elan.
Carol has assembled a group that will join her in performances of her new material, including Sam Skelton, Wayne Viar, Dan Baraszu and Joe Reda. She is excited about their upcoming performance at City Winery on July 15, where they will be playing both her new music and some of her older material. With all of the projects, performances, and recording she has underway, it is obvious that Carol is flying high again into her future.
Interview by Melanie Siewert courtesy of Atlanta Music Grapevine
Carol's Album was reviewed in the Jan/Feb 2018 Australian Magazine, "Rhythms (est. 1992)".
Despite having its roots in Carol's having to come to terms with the passing of her husband in 2014 and therefore an exploration of her journey from loss, through recovery to new beginnings, Fly Away Butterfly is a remarkably upbeat and celebratory album. The Georgia-born Atlanta-based keyboards player, singer and composer certainly knows how to get the very best out of a tune with truly masterful arragnements delivered by a great collection of hot-shot musicians, including bass player Sam Sims, who really cooks on 'On My Way', keyboards and bass player Trammell Starks, who also provides additional horn arrangements, saxophonist Sam Skelton, guitarist Chris Blackwell and percussionist Rafael Pereira (Royal Southern Brotherhood, James Southwell). The inclusion of her interpretation of the classic Sergio Mendes & Brazil 66 hit, 'Mas Que Nada', acknowledges the most obvious influence on the album, that smooth Latin thing Mendes made his own back in the day - and why not? It still moves and certainly grooves, and if music is meant to uplift as well as heal the worst of hurts, I can't think of a better genre in which to occasionally immerse oneself. - Michael Smith c/o Rhythms
Paulding native worked past personal loss to Billboard music charts
By Tom Spigolon Jan 10, 2018 - Marietta Daily Journal
Carol Albert is on a roll.
The Hiram native and longtime classical and jazz musician is on the Billboard music charts with her new Brazilian-influenced, smooth jazz release “Fly Away Butterfly.”
The single “Fly Away Butterfly” entered 2018 in the top 10 of the Billboard Smooth Jazz chart. It also is at No. 4 on the Smooth Jazz Network Top 20 chart and was listed in the RadioWave Monitor at No. 1 Position for three weeks.
She said she is surprised by the response to the song, which is featured in metro Atlanta on such stations as WCLK-FM 91.9.
“I don’t think it’s quite sunk in yet,” she said of its Billboard chart position.
Three singles, “On My Way,” “One Way” and “Fly Away Butterfly” from the album charted on all major Smooth Jazz music charts in 2017.
“One Way,” which is Albert’s take on an Al Jarreau hit, placed in the top 100 of the Groove Jazz chart for 2017.
The Paulding County High School graduate said she used the word “butterfly” in the name of her latest CD after the winged insect became a symbol of hope to her after the 2014 death of her husband from a heart attack as he competed in a triathlon.
“I did have a time of extreme difficulty with the loss of my husband and I think it’s important for people to hear that at any age you can pursue dreams you may have always had, that it’s never too late to pursue those dreams,” Albert said.
In a Facebook post, she said, “I just wanted to share that it’s possible to reach a place you’d given up on years ago.
“It’s possible to keep going when your life has crashed, it’s possible to be successful after you had given up, it’s possible to reach deep inside yourself and bring out your best work when you have felt there’s nothing left to give,” she said.
Albert took up the piano and keyboards at the age of 5. She said she honed her craft by playing keyboards during church services in Paulding County and by accompanying her grandmother, who had lost an arm to cancer.
“When I grew up, Atlanta was really far away,” she recalled.
After studying classical music with Paulding piano teacher Kathy Tibbitts, Albert went on to earn a bachelor’s degree in music from Georgia State University.
She worked as a staff accompanist at Georgia State, as well as at Agnes Scott College, Decatur School of Ballet and the Atlanta Ballet.
However, Albert gravitated toward smooth jazz and new age because of her appreciation for such artists as jazz guitarist Michael Franks and Astrud Gilberto, whose “Girl from Ipanema” was a 1960s classic of the genre.
She said she now favors performing music considered to be smooth jazz rather than the classic and progressive jazz of players like Chick Corea or Wynton Marsalis.
The new CD “takes the listener on deeply soulful, exotic journey that artfully blends spirited, jazzy piano melodies, dreamy vocals, punchy percussion textures and hypnotic ambiences,” according to publicity from the artist.
Her video for “Mas Que Nada” is on YouTube. The song is a remake of the 1966 hit song by Sergio Medes and Brasil 66.
Smooth Jazz Network, which is a collective of jazz-oriented radio stations nationwide, nominated her for its “Best New Artist” award for 2017.
She said the nomination is the biggest music industry recognition ars for her as a recording artist in many years.
She received an Emmy Award nomination in 1991 for Outstanding Achievement and Individual Excellence for composing the music for the seven-part PBS Series “The Well-Placed Weed.”
Albert also was a winner in the New Age Music category of the Global Peace Song Awards of 2016. She also celebrated being on the first round ballot of the Grammy Awards in the Contemporary Instrumental category both in 2016 and 2017.
"Fly Away Butterfly” is Albert’s seventh release of music classified as either easy listening or smooth jazz. The first two CDs were released in the early 1990s by a German label, and the remainder in the U.S. — including two Christmas-themed releases — on small or independent labels.
“Carol Of The Bells” from her 2015 “Christmas Mystique” release charted on Billboard as a most-added song in December 2016. SiriusXM’s Watercolors channel radio stations worldwide played the song during the 2016 and 2017 holiday seasons, she said.
Albert noted music distribution and delivery methods have changed dramatically since her first CD release.
The most common way to find her new CD is on Amazon and CD Baby or through her web site carolbertmusic.com, she said.
A resident of Suwanee, she often tours Europe and South America when she is not composing music or teaching music.
She is a regular performer at the Chateau Elan resort in northeast Georgia and performed at music festivals in Suwanee and the Chattahoochee Nature Center in Sandy Springs in the past year.
Here's a direct link to the article on the Marietta Daily Journal website
Carol's album "Fly Away Butterfly" has been reviewed in the latest issue of Smooth Jazz Magazine (issue: January/February 2018). You can order this single issue or subscribe! CLICK HERE
Carol Albert has been nominated for Best New Artist by the Smooth Jazz Network.
VOTE HERE - CLICK NOW
2017 has been an amazing year for new Music and new artists. In the 30 years of the Smooth jazz format never have we seen so many new artists on the Smooth jazz scene. After considering all of that great new music this year, we're excited to announce that these 12 amazing artists have been nominated for this year's "Best New Artist" title!
Now it's up to you to narrow this group of 12 down to one winner!
This vote will be live through Thursday, January 4th. Each person may vote one time and one time only. We will announce the winner on Friday, January 5th.
Carol Albert uses music to heal on “Fly Away Butterfly” - By Dodie Miller-Gould
Carol Albert is a vocalist, keyboardist and composer. Her new album, “Fly Away Butterfly” represents Albert’s attempt to resume her music career after tragedy.
An introduction to “Fly Away Butterfly”
Albert’s work on “Fly Away Butterfly” took place after the death of her husband in 2014. The symbolism of the butterfly is clear–change. Having already taken some time off from recording prior to 2014, the tragic loss she suffered served both as a reason to perform, and a means to work through grief.
The CD itself is visually stunning. I realize that is not why people buy music, however, it is worth a look. Deep blue saturates or highlights images of Albert’s face, a large butterfly, also in shades of blue, covers the lower half of her face. On the inside, that same butterfly is poised atop an old-fashioned microphone, and Albert stands behind. She is holding a blue satin sheet that matches the color scheme found elsewhere. The color blue and its representation of sadness, and association with jazz is meaningful here.
The songs found on “Fly Away Butterfly” have a contemporary pop feel to them. Most notable among them are the title track, and “On My Way.” Given Albert’s reason for performing, the content of those songs gain meaning.
“Fly Away Butterfly”
The song opens with a flute’s trill that imitates the flutter of butterfly wings. Albert whispers the title in Spanish. The lyrics center on the title phrase.
Light sounds fill the track. In fact, light sounds fill the album. Albert is not a belter–at least not on this release, and that works here. This song reminds me of a subgenre called “new age jazz.” The purpose is to help listeners relax. As Albert sings, listeners thoughts are colored by the cool blue of the CD cover, and the disc itself.
The music is rich with flute, and it never goes heavy or brassy. Delicate sounds enrich the song’s purpose, and makes the listening that much more enjoyable.
“On My Way”
Heavier than the title track, pop jazz vocals singing syllables dance over the groovy piano. The horns add texture and verve. The backing vocals are a mix of r&b and pop. Albert’s voice is almost too soft here, she is barely heard over the backup singers at times. When the voices take turns singing, Albert is heard more clearly. Her style reminds listeners of pop jazz singers from the 1980s and 1990s–think Everything But the Girl and Swing Out Sister.
As far as the lyrical content goes, Albert is triumphant. She sings about spreading her wings and being on “on my way.” And the sassy saxophone line that fills the end punctuates the words, and listeners believe that Albert will do what she says.
“Fly Away Butterfly” is a light, jazzy exploration of human emotions. Albert makes her private pain public. However, the songs’ form and content allow listeners to ascribe their own meaning to them.
The album is worth a look and a listen. “Fly Away Butterfly” is available Sept. 1, 2017.
Carol's latest album is a great example of smooth jazz, as it is polished and refined within an inch of its life, with a very strong late Seventies feeling throughout. Her vocals are clean and gentle, and the music is exactly what one would expect from the genre (although I must make mention of some strong basswork from Sam Sims). As well as singing, Carol also provides keyboards, and I actually enjoyed the instrumentals more than I did the actual songs, as although the emotion has been removed, these at least have more vitality to them Although I know that there are those who enjoy the genre, it can never be anything more than background music for me. But, if this style of music is of interest then I suggest you visit CarolAlbertMusic.com where you can hear some of the material.
Review by Gonzo Weekly Issue #258
Repost from "The Current Hub" - archived post - By Tripp Liles, Editor.
Carol Albert is featured in the Current Hub (a Wellstar Publication). Click the below images to read the Profile Interview on Carol.
Interview by Debbie Burke. Archived here
Highly listenable and chill, Carol Albert’s voice evokes light and air. Perfect that her standout CD is so visually oriented: images of butterfly wings, waterfalls and the sky.
When did you first know you wanted to be a musician?
I have always played the piano since I was around 5 years old. It never was a conscious decision to be a musician; it just evolved. I studied classical music until I graduated with a bachelor’s degree in music from Georgia State. I decided not to teach school and started playing pop music.
It’s astounding to learn your grandmother composed in her sleep. You too?
Yes, just last week I was dreaming a song and I wanted to get up and write it down but I was having too much fun listening to it. I thought I’d remember it but I didn’t. Sometimes I can remember them and write them down.
What was your musical foundation like from GSU and how did it prepare you to go into the industry?
I studied classical piano and also orchestration, arranging, harmony, scoring and writing for chorus. All these are skills I have used in my writing, just not in a classical context. It also gave me the courage to perform and work hard. It was a difficult degree to get especially since I had a baby while I was still finishing school. It taught me a lot about being focused and productive with my time, and learning balance.
Are you primarily a pianist or singer?
I grew up singing and playing the organ in church and went to voice schools in the South learning how to shape notes and harmonies. I would not classify myself as a power lead vocalist but I blend my vocals and piano.
What inspired “Fly Away Butterfly”?
The butterfly became a symbol of hope to me after I lost my husband in 2014 to a heart attack during a triathlon. I kept seeing butterflies after he passed. They became a spiritual symbol to me. I went on a trip to Costa Rica and was hiking high up in the mountains and a blue morph butterfly landed on me. It wasn’t until a year later that I started seeing blue butterflies in everything like books, pictures, you name it.
I looked for the meaning behind this and found they’re symbolic of new beginnings, change and awakening, as well as being good luck and a spiritual messenger . I was working on the track that I named “Fly Away Butterfly” and it just felt totally right, especially when I had Sam Skelton add the flute part that became the butterfly flying. I named the album “Fly Away Butterfly” because it made sense; all these pieces fit with this theme of movement and change.
Was “Mas Que Nada” fun to record?
“Mas Que Nada” was a blast!! It was the first track I put out as a single. I wanted to record a joyful, fun tune and the Olympics were taking place [in Brazil] so I decided on this song, especially since I used to sing it while I was touring in Europe.
Talk about your personnel.
They all live in Atlanta and are exceptional. I couldn’t have had a higher quality team to add character to each of my pieces. My Brazilian friends, guitarist Sander Pinheiro, bassist Chocolate Costa, and world-renowned percussionist Rafael Pereira gave an authentic sound for “Mas Que Nada.” My background vocalists helped the party get started with the fun voices of Alfreda Gerald, Cheryl Rogers and Tony Hightower. Darren English, a trumpet player from South Africa, gave a killer performance on “Mas Que Nada” and “Awakening.”
I asked Brazilian voice coach Valeria Washington to help with my enunciation for authenticity. On other tracks, Sam Skelton, on flute and saxophone, rivals any other recording artist out there; Chris Blackwell killed every guitar track he played; Sam Sims played bass for “On My Way” and “Never Thought It Would Be This Way.” Joe Reda played “Across the Sky” and “Chasing Waterfalls,” I played key bass on “Fly Away Butterfly” and Trammell Starks is on bass on “One Way.”
Several drummers added tracks: Scott Meeder, Wayne Viar, Rafael Pereira. Trammell Starks pulled everything together and made sense in the studio like a chef baking a cake.
I co-produced the album with Trammell, working on arrangements, programming and developing the tracks, but he was the captain of the ship. All the ingredients were there for what I believe is a very heartfelt artistic work.
What themes inspire you when you compose?
Many things. I saw a young girl in Germany who was lying on the steps of a church with addiction issues and I wrote one of my favorite songs about her called “Sasha”: “The street is a lonely place for a girl as young as you.” I hope to get someone famous to sing it one day. I write songs about people, my children, nature, abstract ideas and emotions like love, sadness, disappointment and joy, and spiritual themes such as in “Dreamer” which won a Peace Song Award.
Your favorite venue?
The Fox Theatre [Atlanta].
A place you’ve always wanted to perform?
How do you take care of your voice?
Honey and lemon with green tea.
How would you describe your sound?
I have a light voice that emulates South American voices like Astrud Gilberto.
Your 1991 Emmy nomination was for the theme of what show?
I think it was actually a PBS Show “The Well-Placed Weed” by Ryan Gainey. I did several shows for PBS Channel 30 during that time.
What is the most challenging part of touring?
Being away from home and all that’s familiar to you. It’s hard work but I make every day a sightseeing adventure. I make the most of it.
Did you picture a specific location when you wrote “Morning Music”?
I pictured a meadow with dew on the grass and the sun coming up while I was drinking my coffee.
Was it a meaningful experience to play the Augusta golf course since they only began to allow women in 2012?
I played a big hospitality event and I didn’t really think about any of the politics because there were so many people who wanted to have fun and party.
I’m working on new compositions. Some possibly for a new album, one for a good friend that I want her to sing on her own album. I want to write a symphony and I also want to score some of my originals for teaching purposes for piano students to perform.
To keep working until I can’t any more.
I am the happiest when I am in the pure state of writing a new piece, hearing parts and weaving the pieces together, dreaming of ideas to add the next morning, fitting it together like a puzzle. I love that place.
For more information, visit www.carolalbertmusic.com.
Photo courtesy of and with permission of the artist.
(c) Debbie Burke 2017
Review by Dee Dee McNeil - Archived here
She’s a singer/songwriter and pianist. This talented woman has recorded a unique and lovely album of her original compositions. She has written every song, with the exception of the very popular “Mas Que Nada” that she plays and sings with silky smooth vocals. This is an easy-listening project, perfect for Smooth Jazz radio airplay. Favorite cuts are: #4, “Across the Sky” that reflects shades of Marvin Gaye and Sadé, wrapped richly in her production and in the arrangement grooves. Cut #5, “One Way” sounds like you should be listening to it while on a highway, driving at maximum speed, and covered by blue skies, sunshine dreams and chasing a ‘Fly Away Butterfly’.
Carol Albert keyboards/bass programming/lead vocals/piano/producer/arranger; Trammell Starks, drum programming/keyboard/producer/horn arrangements; Rafael Pereira, percussion; Sam Skelton, saxophone/flute; Alfreda Gerald, Tony Hightower, Cheryl Rogers, background vocals; Susan Bennett and Ivette Ballara, spoken word Spanish; Sam Sims, Chocolat Costa & Joe Reda, bass; Chris Blackwell, guitar; Melvin Miller & Darren English, trumpets; Scott Meeder & Wayne Viar, drums.
Carol's latest release was reviewed in Spain. Below is the review and the translation. View the archived Review here
Carol Albert es una apasionada del piano y del canto. Originaria de la localidad de Hiram, en el norteamericano estado de Georgia, siendo una niña recibe clases de piano de su abuela, a la que le faltaba un brazo. Ambas se sentaban frente al piano, y mientras su abuela tocaba con la mano izquierda, Carol lo hacía con la derecha. Además de enseñarle a tocar el piano, su abuela también le enseñó a componer canciones. Como era de esperar, Carol pronto se interesa por el piano como instrumento de referencia. Comienza a tocar piano clásico en la Georgia State University donde obtiene una licenciatura en música. En el año 1.991 recibe una nominación al prestigioso premio Emmy. Tres años más tarde, en 1.994, presenta el álbum titulado “Tides Of Change” en el que se incluyen temas como “High Seas”, “To The Sun” o “Beyond Tomorrow”. Más adelante vendrán producciones discográficas tan sobresalientes como “Morning Music”, “Night Music” o “Christmas Mystique”, álbum de temática navideña. Las presentaciones en vivo de Carol Albert son habituales tanto en Europa(Suiza, Alemania, Francia, España, Inglaterra o Irlanda) como en los Estados Unidos (San Francisco, Texas, Florida, North Carolina, Virginia o Kentucky). El pasado mes de Agosto, Carol Albert presentaba su nueva producción musical bajo el titulo genérico de “Fly Away Butterfly”, disco del que se han extraído dos singles: “One Way”, versión original del vocalista desaparecido Al Jarreau y que se incluye en el álbum publicado en 1.988 y titulado “Heart´s Horizon”; y “Mas Que Nada”, tema clásico brasileño versionado por infinidad de artistas y músicos. El disco arranca con el tema que da titulo al álbum, composición que cuenta con el protagonismo de la flauta y el saxo de Sam Skelton. Entre los temas instrumentales destacan “Awakening”, “Chasing Waterfalls” y “Transition”. La vocalista y pianista no olvida incorporar temas vocales que acompaña con el sonido de su piano. Buena prueba de ello es la balada ligera titulada“Across The Sky” o el tema ligero “Never Thought It Would Be This Way”. El tema más movido y rítmico del disco es el instrumental “On My Way”, que aparte de los instrumentos, incorpora voces y coros. A lo largo de todo el álbum, Carol Albert canta y toca piano y teclados. A este nuevo proyecto discográfico de la vocalista y pianista se incorporan músicos de la talla deSam Skelton, Trammell Starks, Rafael Pereira, Sam Sims, Chris Blackwell, Melvin Miller, Scott Meeder, Joe Reda, Wayne Viar, Darren English, Englesson Silva y Chocolat Costa. La brillante presencia vocal corre de cuenta de cantantes y vocalistas como Alfreda Gerald, Susan Bennett, Ivette Ballara, Tony Hightower o Chocolat Costa. La totalidad del álbum es producido por la cantante y Trammell Starks. “One Way”, tema con el que se rinde tributo a Al Jarreau, es producido por Trammell Starks. Todos los temas son compuestos y arreglados por Carol Alberty Trammell Starks a excepción de “Mas Que Nada” y “One Way”. Interesantísimo nuevo proyecto musical de Carol Albert. Es obligado escucharlo.
Carol Albert is passionate about piano and singing. Originally from the town of Hiram, in the North American state of Georgia, as a child she receives piano lessons from her grandmother, who was missing an arm. Both sat in front of the piano, and while her grandmother played with her left hand, Carol did it with her right. In addition to teaching him to play the piano, his grandmother also taught him how to compose songs. Unsurprisingly, Carol soon became interested in the piano as a reference instrument. He started playing classical piano at Georgia State University where he earned a bachelor's degree in music. In the year 1.991 receives a nomination to the prestigious Emmy prize. Three years later, in 1994, it presents the album titled "Tides Of Change" which includes songs like "High Seas", "To The Sun" or "Beyond Tomorrow". Later will come such outstanding productions such as "Morning Music", "Night Music" or "Christmas Mystique", album of themática Christmas. Carol Albert's live performances are common in Europe (Switzerland, Germany, France, Spain, England or Ireland) and the United States (San Francisco, Texas, Florida, North Carolina, Virginia or Kentucky). Last August, Carol Albert presented his new musical production under the generic title of "Fly Away Butterfly", disc of which have been extracted two singles: "One Way", original version of the missing singer Al Jarreau and that is included in the album published in 1988 and titled "Heart's Horizon"; and "Mas Que Nada", a Brazilian classic theme, with a lot of artists and musicians. The album kicks off with the theme that gives title to the album, composition that counts on the protagonism of the flute and the sax of Sam Skelton. Among the instrumental themes include "Awakening", "Chasing Waterfalls" and "Transition". The vocalist and pianist does not forget to incorporate vocal themes that accompanies with the sound of her piano. Good proof of this is the light ballad titled "Across The Sky" or the light theme "Never Thought It Would Be This Way." The most moved and rhythmic theme of the album is the instrumental "On My Way", which aside from the instruments, incorporates voices and choirs. Throughout the album, Carol Albert sings and plays piano and keyboards. Sam Skelton, Trammell Starks, Raphael Pereira, Sam Sims, Chris Blackwell, Melvin Miller, Scott Meeder, Joe Reda, Wayne Viar, Darren English, Englesson Silva and Chocolat are all part of this new vocalist and pianist project. Coast. The brilliant vocal presence runs from singers and vocalists like Alfreda Gerald, Susan Bennett, Ivette Ballara, Tony Hightower or Chocolat Costa. The entire album is produced by the singer and Trammell Starks. "One Way", subject that pays tribute to Al Jarreau, is produced by Trammell Starks. All songs are composed and arranged by Carol Alberty Trammell Starks with the exception of "Mas Que Nada" and "One Way". Interesting new musical project by Carol Albert. He is obliged to listen.
Carol Albert: Fly Away Butterfly
Carol Albert does bass programming, lush keyboards and lead singing on this collection of smooth Brazilian moods with dreamy support and framework. Sleek sax and flute from Sam Skelton make for gentle R&B on “Awakening” and “On My Way “ as well as the lithe title track. Albert’s piano trickles on “Never Thought It Would Be This Way” while she wisps through a breezy “Mas Que Nada” and delivers a mist of a vocal on her tribute to Al Jarreau on “One Way.” As smooth as a sandy beach at Ipanema.
Here's a link to the Review: www.jazzweekly.com/2017/08/two-sides-of-braziljorginho-neto-collective-harlem-carol-albert-fly-away-butterfly
Carol Albert enchanting jazz singer Carol Albert – FLY AWAY BUTTERFLY:
Carol is one of the most enchanting singers I’ve heard in a long time, and there’s a decided plus, in that she plays piano with some of the highest creative energy on the scene today. I recently did a video critique of her work, and you’ll see how professional her standards are there. On the album, high-spirit tunes like “On My Way” convey the kind of joy the world needs more & more of today… a SUPERB song, full of life!
The promo sheets explain that after Carol lost her husband (2014), she turned back to composing, so the music is automatically in the healing zone… don’t take that the wrong way, though… this isn’t “down, sad” music – not at ALL! You’ll hear how her spirit has been replenished as you listen to the wonderful “Transition“, where she clearly paints sonic cascades abundant with the joy of entry into new worlds… a MOST impressive song that gets constant play on my iPhone… I just LOVE this piece.
Though “Across the Sky” starts out with a decidedly jazz solo (think Coltrane), Carol’s vocal easily transports you into a zone where memories become reality – in a good way… some fine, FINE guitar work compliments the saxophone right at about the 2:10 mark, as well. A truly inspiring piece of music that everyone will enjoy!
One of the longer pieces (5:24), “Never Thought It Would Be This Way“, will surface memories both sad and full of the joy of living… it was an easy pick for my personal favorite of the ten offered up. I give Carol a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this “must-have” CD! Get more information about this fascinating player/singer on Carol’s website.
Review by: Rotcod Zzaj c/o of ContemporaryFusionReviews.com
CAROL ALBERT / Fly Away Butterfly: In the 70s, the gals were doing a subgenre known as divorcee rock. That seems to have mutated in the 10s to healing music, a combination of jazz, world and spirituality that seems to be the soundtrack for recovery of various sorts whether from addiction, loss, upheaval---or divorce. Albert is rejuvenating from loss and letting it lead her to rebirth. Enlisting one of the great secret weapons of our times, Trammell Starks to help her on her journey, this is almost like next gen-nu new age as it comes out of the gate. An experienced performer coming back into the light, this is no mere well intentioned effort by a bored wannabe looking for an outlet, this is the kind of alt.adult listening that turns heads and ears. A deep, personal set that grabs your attention and holds on tight. Well done. - CHRIS SPECTOR, Editor and Publisher
Copyright 2017 Midwest Record
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Ahh, we are again treated to the wholesome, all-embracing musical charm of the lovely vocalist/pianist/composer Carol Albert who has reemerged with her at once enticing and alluring offerings here on Fly Away Butterfly, an album of intensely satisfying melodies and lyrical colors.
The mesmerizing seduction of this music starts at track one (the title track) and never lets up as she takes you by the hand and leads you along this plush horizon of musical bliss with delicate caresses and high-spirited exoticism and finger-poppin’ grooves like that heard on her covers of the late Al Jarreau’s “One Way” and the classic “Mas Que Nada.”
Aside from “Mas Que Nada” and “One Way,” Albert has penned all of this well-produced material, and it’s obvious that she poured her very essence into the work. One should be warned of the inescapability of the appeal and mystique of this material. This is beauty alive and personified throughout.
Along with the lead and title track, there’s the exotic sway of such catchy tunes as “Awakening” and “Across the Sky,” the funky bounciness of “On My Way,” the beauty and intriguing play on moods found on “Chasing Waterfalls” which leads off in a rather sweet and sedate fashion and later ushers in a spirited crescendo, and the resoundingly comely track “Never Thought It Would Be This Way.”
To sum it up, this album truly defines delicate, refined, and class, and tosses in a track of feel-good funk for good measure. It’s quality belonging in the bright spotlight of this genre. Experience its attraction, and bathe in it with unabashed abandon. It calls for it. – Ronald Jackson c/o The Smooth Jazz Ride
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