By Dee Dee McNeil
Carol Albert,piano/vocals/keyboards/programming/composer; Ben Babylon, string/French horn arrangements; Paul Brown, guitar/percussion/ production; Sam Sims,bass; Lil John Roberts, drums/percussion/piano; Daniel Baraszu,acoustic guitar.
Carol Albert is a composer, pianist and keyboard programmer. In league with producer and guitarist, Paul Brown, who is a two-time Grammy winning producer and hit record maker, they have created an easy-listening, smooth jazz recording. This is an album that grew out of Carol Albert’s “Sun’s Out” successful single release that raced up the Billboard Smooth Jazz Song list. It’s being played on smooth jazz stations across the country. Carol Albert has the talent of finding a repeatable melody line that sticks like glue and embellishing it with programmed keyboard parts, and tasteful live musicians who bring flavor and technical improvisations to help her music come alive. On keyboard and piano, Albert establishes the melody, but never really stretches out as a jazz improviser. She leaves the fluid improvisation to folks like Paul Brown, strong on his guitar. Lil John Roberts adds his drum licks to hold the grooves strong.
“I met Paul Brown at a show he did in Atlanta through my friend, trumpeter Rob Zinn, and he said to give him a call when I started working on my new album. He took his incredible ear and years of experience working with all kinds of artists to make incredible suggestions, oversee and put everything together, mix it to perfection and truly elevate my work. I’m so impressed with the quality of these musicians and the way all the elements came together. ... I think it’s the best work of my career,” Carol gushed.
Carol Albert manages to capture moods with her music. For example,her tinkling,arpeggio piano parts on the “Winter Rain” tune expands the imagination and paints pictures of rain with the piano. The warm groove that supports this song embellishes it like winter winds brushing back and forth in the midst of a peaceful storm. All of her songs are peaceful and easy- listening. On the current single, the one that’s making so much joyful noise on the Billboard charts, Carol Albert adds her vocals as part of the musical mix; no words necessary. On “I Am Fine” she does sing lyrics. The words give us a positive mantra to repeat; “I am fine now. I am fine.” On the song, “Perfect Sunday,” Paul Brown once again adds his brilliant guitar work and production techniques that make this a stand-out composition. For me, Carol Albert is more pop than jazz, but Brown’s guitar adds that slice of jazz improvisation and freedom that strays from Albert’s sing-song melodies and gives us a taste of the precious and important third element of jazz, which is improvisation. The final original composition by Carol Albert titled, “Til We Meet Again,” features the tasty talents of Daniel Baraszu on acoustic guitar. All in all, this is a smooth jazz mixture of classically based piano with a pop/jazz production twist. It’s a soothing way to brighten your day or to enhance your winter evening.